Eulogy for a Master
A parody of one of my favorite poems, G. K. Chesterton's "The Great Minimum."
Syndicated to Twitter.
A parody of one of my favorite poems, G. K. Chesterton's "The Great Minimum."
Syndicated to Twitter.
This is an Elon-Musk-themed parody of John Gillespie Magee, Jr.'s "High Flight".
Oh! I have spurned the surly SEC, And pierced the skies with rocket booster flames; Sunward I've turned, to harvest energy; Nutted to Mars -- and played a hundred games You have not dreamed of -- founded, bought, and sold; Ran Paypal, blasted Dogecoin to the moon, Built companies from visions into gold, And granted seven children silver spoons. Up, up the endless void of frozen black My dankest starship speeds with burning grace. I've seen the future, and I won't look back: They'll say I left my mark upon the times. For I have sent my Roadster into space -- Put out my hand, and touched the face of Grimes.
This is a loose parody of the Prelude to The Canterbury Tales, dedicated to, and inspired by, none other than my good friend Ryan Wright (read his interview with The Drongo, or play Ryan Quest.)
There came a schollar from Viking country, Well verst in ludonarrativity. When that Aprill with his shoures thick Hied off, he watched ye childe play hoop and stick To ponder changing stick for lethern balle, And wryte upon the meninge of it alle. Of anti-gamer scorn, no hede took he, Aware that men live in society, While those of lerninge to him wolde adjure For hy discourse on English literature. Full gladly teched he on such things culturall, And left each lecture-hall with maydens plurall. Exotic assets allways filled his pipe: He was a verry parfit gaming type.
An email to Aaron Strick, intended only to pay a compliment and secure a Sith holocron, so touched him that to receive it. This is why I spend so much time on the Web; why I employ technology to run social projects like The Drongo and the SLC; why most weeks I take on hosting duties for Homebrew Website Club Americas.
Aaron, you're a drongo and a half, and a magnificent mellow, too. I laid down these stanzas in your name, for your pleasure.
This is the fourth, final, and longest of my semi-found poems inspired by choice phrases from The King of Elfland's Daughter.
The third in my series of semi-found poems derived from The King of Elfland's Daughter, by Lord Dunsany.
Forth from the unicorn issued a groaning, A sound low and awful, as never is heard in the fields that we know. Then there was naught but the wonderful carcass, The deep growls and roaring of hounds as they wallowed in fabulous blood. Curséd be unicorns, all of their ways, And everything else in the world that be magic. Curst be their horn and the place where they dwell And the lilies they feed on. Curst be their speed, And their hide in white sleekness, their beauty -- And all things enchanted that wander by magical streams.
The Elf King, chaunting rhythmic, unknown words, An age-old incantation, ordered Elfland To drift away from Earth, the mortal realm. As in a moment no one can determine When sunset layers turn from gold to pink, From glowing pink to listless unlit colors, All Elfland left the edges of the fields Which all men know, and hied where men know not. Motionless fronds of dream-gripped trees lay calm. Petals of myriad roses stilled their trembling. Sharing the King's content, Elfland reposed.
Thus continues my series of semi-found poetry inspired by attention-arresting phrases from The King of Elfland's Daughter. "The Retreat of Elfland" is less of a found poem than "Almost Elfland," for I've taken a bit more liberty in rearranging the phrases, and even inserted a few words. Still, though, any beauty you find in this should be considered Lord Dunsany's doing, not mine.
So strong enchantment lay o'er all that land, It seemed there was an understanding there That reached from men to trees, from trees to men. More beautiful than aught our wonder guesses, More than our hearts have hoped, the dewdrop lights Hint of the seaweeds draping cliffside rocks. Eternal beauty dreams in honied air Where nothing ever stirs or fades or dies, Nor seeks its happiness in changing things.
This is almost a found poem. The stanzas are adapted, with only miniscule changes, from lines on pages 15, 20, and 40 of The King of Elfland's Daughter.
This morning message is work in progress, for sure. It means something, but doesn't mean it as fully as it might.
I'm posting it to keep encouraging myself to post snippets and snoopets.
For breakfast, man made sausage, so I sausage, And squint askew as Ra holds high his disk. With no time for poetic inspiration, He casts aside the slinking clouds of mist. The seagulls, noisy poopers, have come inland. With stupid orange mouths agape, they wheel, Ungainly flap, and float, til they spy refuse, Then land to fight amongst themselves and squeal. On high, in blue, airliners cut a contrast, Speed straight where birds must fart around like clods. Do seagulls ever wonder what a plane is? Do they believe in jets, as we do gods?
Does this exist?
Type in words. For each line you type, this program will do its best to categorize the line by its pattern of stressed and unstressed syllables. It does this by retrieving the stress pattern or patterns for each word from an ordinary dictionary (maybe several dictionaries), and comparing all possible paths through the line to determine, for words with multiple possible stress patterns, which is most likely to be right. Or, which would lead to what patterns. [Aside: run spell checker before doing analysis.]
Oh, typing is getting me nowhere. Examles of desired behavior will do better.
This is just for giggles and shiggles: a little Halloween spirit, China-style.
巧克力兮,花生酱 混合二味,皆更香 小圆形兮,超方便 咬后食尽,屑不见
Translation:
Chocolate -- oh, peanut butter Combine the two and both taste better Small round shape -- oh, super handy No crumbs left from one-bite candy
After reading "A Gift from "Endlessly Stupid" to a New Hermit", Chris Stasse responded with a poem of his own, "Hermit Replies to Stupid" 《傻隐回复》.
鸟啼更静躺山夜
生人不约往孤野
车冷人寂思萦纡
离家一日似十月
Rough translation, 2020-11-21:
At night I lie in the mountains. It's quieter when birds sing
Strangers aren't likely to approach this lonely wilderness
My car is cold. I'm lonely. My thoughts twist around
One day away from home is like ten months
Naturally, I wanted to reply in kind. My goal was to show I had grokked Chris's poem by restating its sentiments in different words.
In addition, I challenged myself to work within the constraints of a line-internal rhyme scheme: the 2nd, 4th, and 7th (final) syllables of each line all share an ending sound.
A certain Mr. Stasse (featured several times on this website) has temporarily withdrawn from society to live at a Buddhist retreat.
Original Title: 《老傻赐新隐士》
2020-10-13: On reflection, I dislike the third line and will probably change it. It's a leftover from the first draft, and out of place.
秋风摇树果不应 愿隐士身旁同赏 人生弯曲预无因 他稳似果拟之值
Rough translation (updated 2020-10-13):
Autumn wind shakes the trees, but the fruits don't go along I wish the hermit was here to appreciate it, too Life's twists and turns aren't worth guessing at He is steady, like the fruits, and that's worth imitating
Chris sent me a letter, and I sent one back. Why not preserve them -- pickle the words in blogger's brine?
In September, Chris Stasse sent me a letter which concluded with his calligraphic rendering of "Countryside Pleasures No. 6" 《田园乐——六》, by Tang-era master poet Wang Wei. My reply to Chris included a parody of the same poem.
My version's title swaps out the third character, 乐 le4 "pleasure, happiness", for the rhyming word 恶 e4 "evil, vicious, harmful." Here is "Countryside Nastiness," by Wang Wei's little-renowned cousin, Wrong Wei.
桃红中坏烈焰 柳绿烧成灰柱 花落腾于热气 鸟啼出窝恐离
Translation:
Red peaches suffer from fierce flames Green willows burn up into pillars of ash Flowers fall, then rise on heated gusts Birds cry, leaving their nests in fear
As I write up explanations and annotations for my poems, I find myself wanting to use lines and shapes to pick out particular areas of each work.
Here's a rudimentary prototype, drawing heavily on the LeaderLine library. Try clicking or hovering one of the bracketed sections.
I'm a fake poem, sure to spin A top around its bottom
I am a fine explanation! And I am his lovable pal.
I'm not currently planning to turn my annotations into sidenotes or marginalia, but I'll certainly draw inspiration from the numerous attempts at that style of web design. I'll also be investigating annotation platforms like Hypothesis, which may have something to offer.
A late-night snippet imitating the chorus of Weezer's "Pork and Beans." For Hayley ("Bloo") to sing to Seth.
I've a PhD that I must pursue There's neuroscience knowledge to accrue With calves athletic and a belly lean At times my swagger's known to cause a scene Although I'm picky 'bout my repertoire I'll practice strumming tunes that you adore One look in our mirror and you know it's true: I'm awful fond of being Bloo with you
(Hayley: AWWWWWWWWWWWWWW. I’m not sure what the tune is (hint pls!!!) but I’m smiling ear to ear anyway <3
Me: It's 'Pork and Beans.'
Hayley: OH FUCK YEAH
)
This is a parody of "In the Aeroplane Over the Sea", the best-known song by 90s group Neutral Milk Hotel (NMH), feted for their otherworldly sound and surreal lyrics. I apologize to Jeff Mangum, Scott Spillane, Jeremy Barnes, and Julian Koster for perpetrating the following verses.

As always, I encourage you to sing along. A glossary follows.
This was commissioned by the Fruit Art Project, a group which develops creative projects that incorporate the history and geography of fruit cultivation. When I learned that wild bananas were originally tiny brown nothings, and that the wealth of modern cultivars are the result of intensive human breeding, I imagined what that breeding process would have looked like if it had taken place all at once, under the control of a 21st-century organization.
I no longer live in Portland, but I know many people there. This was written to bolster the spirits of three good friends who informed me they'd be participating in the ongoing courthouse protests.
This is a naughty parody of "While My Guitar Gently Weeps", a Beatles classic from the White Album.
I've struck a deal with Doctor Boctor, a Bay Area musician and producer, to turn my "Hallelujah" parody "Huge Katana" into a real recording!
Watch this space for news -- and more original content!
This poem was inspired by correspondence with the Philosopher of Life, h0p3.
Sundown. My latest letter is complete: I post it to the madman's house of black. His call for correspondence thus fulfilled, White ink on parchment fuligin comes back. The auto-philosophe greets me with cheer. He's scoured my tubes; he's scanned my public face. "Your site's delightful" — so reads his review. No lesser turbo-hermit has such grace. I swear I see him through Eye Number Three: Thin fingers, stained with e-ink, sweep the keys That lock him to the ever-growing Book Of Life, which he attends on hands and knees. From ones and nones, h0p3 builds a prophesy, And from his labors may he never tire. In 2020, Montaigne essays on. His precomputed smile floats down the wire.
This is a parody of Leonard Cohen's famous song "Hallelujah". When my friend Matt mistook a haiku for such a parody, I knew I had to make it real. Consider this a companion piece to "Hakuna Katana".
News: this got picked up for production into a real song!
These verses are parodies of the song "Hakuna Matata", from Disney's animated film The Lion King. I wrote the first two stanzas on 2018-01-14, and the other two on the publication date above.
Consider this a companion piece to "Huge Katana".
I stepped outside to take the air, but stopped short when I heard A squeaking cry, as issues from a wounded, bleeding bird— Or rather, from no bird at all, but from an injured bat; The wingéd mouse, the flying shrew, the aviating rat. The sound came from the corner of the garden, past the gate. I went inside to fetch my coat—we've had a chill of late. Beraimented, I crept along. The batlike wail grew near. On garden path I crept, until the screeching filled my ear. And ... what found I? A broken bird? A bat, brought down to ground? 'Twas neither thing that drew me there by way of eerie sound. I took a knee to do some work. The squeaking went away. No longer will that broken sprinkler keen like dying prey!
A parody of the song "Hooked on a Feeling", originally performed by B.J. Thomas and further popularized by Blue Swede.
I rambled through a grid of streets which I thought I knew cold The street lamps turned to will-o-wisps, alluring balls of gold I lost my bearings wandering—I got all turned around But I'm OK. I found my way, and now I'm homeward bound. I got disoriented on the roads I walked of old I took some time to cogitate—I knew I wouldn't fold The path that I was seeking is no longer sought, but found I'm A-OK. I found my way, and now I'm homeward bound. Surveying my surroundings gave my instincts purchase-hold Rearmed with subtle pointers, I grew confidently bold Old landmarks shuffled out to say, "You're on familiar ground" I'm A-OK. I found my way, and now I'm homeward bound.
Recent days have brought several new poem uploads, including "That's Podracing", "Esther", "Drongo Explained", and "Night Walk".
The next upgrade I have planned for this site will incorporate poems into the blog, so I don't have to make announcements like this one -- but the Poems page, as a collection, will remain a nonlinear rumpus. This is in keeping with the idea of "multiple views onto material" which I expressed here.
[2020-02-09: the aforementioned upgrade has been made. Poems now get their own pages, and are incorporated into the blogfeed.]
While corresponding with Kicks Condor, I realized I didn't have a snappy, instantly-recognizable definition for a drongo. To fill that need, I began this poem in December 2019, edited and extended it over the next couple months, and pronounced it finished on 2020-01-29, around 23:33.
A Star Wars parody of the classic Dean Martin song "That's Amore".
When you pull a tight spin Without losing your grin— That's podracing When the chance cubes are rolled And you have to be bold— That's podracing Racers bring (Bring a ling a ling, bring a ling a ling) Pods together in battle Watto squirms (Squirmy lurmy lurm, squirmy lurmy lurm) Only Shmi left as chattel When you feel in command Soaring over the sand— That's podracing When a man screams "poodoo!" As he cedes ground to you— That's podracing When foes swear in Huttese As you place first with ease— That's podracing When announcers go wild: "Anakin, the slave child!"— That's podracing Racers bring (Bring a ling a ling, bring a ling a ling) Pods together in battle Watto squirms (Squirmy lurmy lurm, squirmy lurmy lurm) Only Shmi left as chattel
I sit down to produce a jot of verse— I stand up, and I pace around the room. What might have been a banger will get worse The more I pace. To hesitate spells doom. For any work which takes a focused mind— And poetry is surely in that group— Ideas must flow all at once, I find, Or else I'll lose myself: caught in a loop Of thinking, and rethinking, and—oh, fuck! I've dropped the thread entirely by now. That's what I get for pacing: a big suck; The glimmer of a topic, but no "pow!" One saving grace: there is no Poem Boss. When I screw up, it's no-one else's loss.
To improve my poems, I read the masters. Here are the poems I've found inspiring.
Were I King Ahasuerus
Then never would I see
A Haman full of hate.
My kingdom's Jews, their fate,
Would never safer be—
Were I King Ahasuerus.
Were I King Ahasuerus
No outside threat would scare us.
With Mordecai at hand,
The wisest in the land,
We'd have him to prepare us—
Were I King Ahasuerus.
Were I King Ahasuerus
I'd toss out old Vashti
With bigger dreams than britches.
What's with these ancient bitches?
A diff'rent wife for me—
Were I King Ahasuerus.
Were I King Ahasuerus
To fortune I could bear us.
One people, marked forever:
A Jewish race, together.
To this compact I'd swear us—
Were I King Ahasuerus.
Part of the 2019 Weeklong Wine Country Poetry Fight. Written while hiking in Austin Hills State Recreation Area, in response to a challenge from Chris Stasse: "in five minutes, write a poem on what you see before you."
The north wind rises Descends onto the ridge Meets both trees And swirls away
After I read this aloud, Chris said it reminded him of descriptions of nature from the poet Wang Wei [王维].
My milkshake is a peanut-butter treat With chocolate, too, appearing in the mix A glass so large, so sickeningly sweet That I need less than half to get my fix I'm in a diner with a weighty tome Great English Poems, edited by Briggs Across the table, Adam looks at home With Murakami, and with coffee swigs There comes a sudden motion from below As Adam lays a tickle on my knee I counter-jest, exclaiming, "Nandato!" Which Adam laughs at oh-so-heartily It's Wednesday. We have nothing much to do. The skies change from a rainy gray to blue.
If you want real poems, go here instead.
This page collects my responses to the poetry-writing exercises set by Stephen Fry in his book The Ode Less Traveled.
The entries here are unfinished, unpolished, unvarnished, and unloved -- but they are important. They are not just the first step in the creative process: they are that process.
2019-11-01
I must remind you that these are not even drafts -- they are scraps, not even fit for animals to hear. Here are the results from Poetry Exercise 1: "Write ~20 lines of iambic pentameter."
Today I have to buy a pair of pants I have to buy gray pants today — one pair The pair of pants I buy in gray today Will be the pair of gray pants that I wear
In a previous update, I succeeded in buying a copy of Stephen Fry's poetry manual, The Ode Less Traveled. The exercises given throughout the chapters are placed and scoped such that it is easy to slip into doing them right as they are called for. Working through the exercises is exactly what I need to improve my skill level. I am posting my exercise responses on this page as I go through the book.
A parody of William Blake's "The Tyger".
Bunghole! Bunghole! Clenching tight, On the toilet, in the night. Curse you, bowels! Set me free! Has my poo no place to be? In a distant land of glee— Somewhere constipation-free— Man may poo most joyfully. He knows not of agony. He knows not the price we pay: Pants 'round ankles, we inveigh, Grunting, swearing, moved to pray, Pooing in a toilsome way. For what reason, in God's grace, Did He make man squat in place, Wasting time, without a say, On a poo's extended stay? What immortal hand on high Moved to make our poo so dry? Whither Bunghole and his fee? Whither constipationry? Bunghole! Bunghole! Clenching tight, On the toilet, in the night. Curse you, bowels! I don't see What I've ever done to thee!
While traveling on the group tour which inspired "A Gift for Gadi", a friend and I spent a day stumbling around a foreign marketplace, our bellies stuffed and our eyes wide. We were totally out of place -- yet we were at ease. I invented a word to describe the feeling of wandering aimlessly without a care: "roaming around like a couple of drongos."
The word "drongo" doesn't have a pithy definition, but this poem (and its companion, "Drongo Explained") should help you get the idea. A hedonist, a bon vivant, a fish out of water, an artist, a scrounger, a drifter, or a jester might all be drongos.
Written in response to something nice that Chance, a new friend, said to me. This is "two thirds" of a sonnet because a real sonnet needs a third four-line verse before the ending couplet.
Has it occurred to you that you deserve To be called not just chill, but chill supreme? I have a softness in my heart for those Who follow through—who realize the dream Of living in a world where effort's fruits Are by most sincere comments justly met Much thanks, for 'tis upon my horn you toot Exchanging digits was a winning bet A sonnet, or two thirds of one, for thee With gratitude from You-Know-Who and me
Written late at night, after getting to know these two fellows at a meetup. If you join the second and third lines in each stanza, the meter becomes iambic tetrameter (save for the line beginning "Knowledge", which must be read as a trochee.)
Tonight I've met a pair of men Whom I hope I may Call new friends Two buds, pointed at PhDs Knowledge sets both their Means and ends Two dudes, united by one car Stick-shift - they're off! in Homeward flight Let's meet again, cognition crew To pass another Pleasant night
Hayley, AKA "Blue" or "Bloo," was my roommate (or "shmoom-mate") from September 2018 to September 2019. I started composing poems shortly before I moved in with her, and soon found that life in close quarters provided many poetic inspirations. This is one of my two favorites from this period; the other is "Hayley and her boy toy".
Shortly before moving away from Portland, I got the chance to have a farewell lunch with Professor Hyong Rhew, one of just three or four people whom I call "my most beloved teachers." Also present was my long-time friend Chris Stasse, whom I similarly call one of "my most beloved friends."
This poem commemorates the mischievous post-prandial activities of that day. I believe this is the first poem I've written for Chris; it probably won't be the last.
最后一杯 干了之后 老师告别 哥俩要走 笑着回家 大麻便抽 疯狂假想 做双朋友
A loose translation, 2019-12-20, 11:41:01-0800:
One last cup Drained The teacher bids goodbye The two boys Leave Laughing all the way home "Big Hemp" is Smoked Wild fancies take flight Such is a pair of friends!
Half a dozen friends of mine live in a group house called Friendship Village. The first time I hung out with them as a group, I wrote a Chinese poem for them all to express my gratitude at meeting such lovely new friends.
About a year later, after a joyous night of homemade pizza at Friendship Village, I decided to write poems for each of them. A week later my project was complete. I hand-wrote the poems on cards, and delivered them at Ian's going-away party on 2019-06-13.
Part of the Friendship Village series.
A cottage on a hill A flower patch A tree of fruit A mound of herbs A bunch of beans A pile of plerp A bag of blegg A tin of twomp A sack of snoob And a sign out front, big-lettered: WITCHY WONDERS "CHAOS, MADE TO ORDER"
Part of the Friendship Village series.
Hand-painted Wholesome winter scenes on Christmas cards. How? How does Someone come to wield such Skill at arts? Long, hard work And a smile for all the "Not-quite-rights." No other Way to learn to paint such Winter sights.
Part of the Friendship Village series.
Guaranteed to brighten up my day-J Hugs me when I go off on my way-J Emits every color except gray-J Friendship Village saint? I vote for AJ
Part of the Friendship Village series.
To me you come off as the coolest housemate Can it be true that you're the illest villager? Skate on home, then rouse up that guitar rumpus "Cool" is too weak: from now on you're a chillager
Part of the Friendship Village series.
Sneaking round the house at night The prankster man comes giggling Laughing to himself with all Ten fingers splayed and wigglingReaching into every cranny (Not a man for strictures) You won't see him come or go But you will find his pictures
One of my two favorites of the poems I wrote for my former roommate, Hayley. The other favorite is "Goodbye, Hayley".
Hayley and her boy toy In the night they giggle Fingers go exploring Interlocked they wiggle Fingertip on her hip Tracing out a squiggle This is love, no doubting Not even a niggle
I once traveled in a touring group guided by an amicable man named Gadi. When the group played Secret Santa and I received his name as my beneficiary, I decided to write him a poem.
Please excuse any awkwardness in the pseudo-literary Chinese. The gift was completed in a hurry, for a non-Chinese-speaking audience, so I judged rhyming more important than phrase construction.
Gadi Gadi Gadi 我队队长 样子很帅 哥们超爽 人才之峰 留一大胡 教人何为 天天为酷
Gadi Gadi Gadi Captain of our team. His style is way fresh, This Chiller Supreme. Of eminent talents And big-bearded too, He teaches all people His everyday cool.